He speaks…still.

I was diligently looking for the scripture that said “Praise God from who all blessings flow” and I realized that, while based on biblical truths, it is not verbatim scripture from the Bible. Tis instead from a song written almost three hundred years ago.

It is so incredible when we begin to realize that God did not stop when he completed the 1,189 chapters, 31,173 verses, 807,361 words in the Bible.

He did not stop with the parables of the Gospels.

God still, today, has things to say and as long as we keep our eyes, ears and hearts tuned to Him, we will still see His words and teachings all around us; a continuous flow of comfort, restoration and salvation for those yet wandering in the desert on the fringe of the Promised Land. Amen and Ehmen.

For those who are interested, more about this “hymn about Him”….borrowed from http://www.cyberhymnal.com. Enjoy!

Words: Thom­as Ken, Man­u­al of Pray­ers for the Use of the Schol­ars of Win­ches­ter Col­lege, 1674.

Music: Mainzer, Jo­seph Mainz­er, cir­ca 1845 (MI­DI, score). Al­ter­nate tunes:

  • Dawn, in A Com­pil­a­tion of Gen­u­ine Church Mu­sic, by Jo­seph Funk, 4th edi­tion, 1847 (MI­DI, score)
  • Morn­ing Hymn, Fran­çois H. Bar­thé­lé­mon, 1785 (MI­DI, score). Bar­thé­lé­mon wrote this mu­sic for these words, at the re­quest of an or­phan­age chap­lain in Lon­don; it was first pub­lished in A Sup­ple­ment to the Hymns and Psalms Used at the Asy­lum or House of Ref­uge for Fe­male Or­phans, print­ed for Wil­liam Gaw­ler, or­gan­ist to the Asy­lum (Lon­don: cir­ca 1785).
  • The Morn­ing Watch, Carl F. Price, 1913 (MI­DI, score)

Joseph Mainzer (1801-1851)

Ken wrote this hymn at a time when the es­tab­lished church be­lieved on­ly Script­ure should be sung as hymns—with an em­pha­sis on the Psalms. Some con­sid­ered it sin­ful and blas­phe­mous to write new lyr­ics for church mu­sic, akin to ad­ding to the Script­ures. In that at­mo­sphere, Ken wrote this and sev­er­al other hymns for the boys at Win­chest­er Col­lege, with strict in­struct­ions that they use them on­ly in their rooms, for pri­vate de­vo­tions. Iron­ic­al­ly, the last stan­za has come into wide­spread use as the Dox­ol­o­gy, per­haps the most fr­equent­ly used piece of mu­sic in pub­lic wor­ship. At Ken’s request, the hymn was sung at his fun­er­al, fit­tingly held at sun­rise.


Awake, my soul, and with the sun
Thy daily stage of duty run;
Shake off dull sloth, and joyful rise,
To pay thy morning sacrifice.

Thy precious time misspent, redeem,
Each present day thy last esteem,
Improve thy talent with due care;
For the great day thyself prepare.

By influence of the Light divine
Let thy own light to others shine.
Reflect all Heaven’s propitious ways
In ardent love, and cheerful praise.

In conversation be sincere;
Keep conscience as the noontide clear;
Think how all seeing God thy ways
And all thy secret thoughts surveys.

Wake, and lift up thyself, my heart,
And with the angels bear thy part,
Who all night long unwearied sing
High praise to the eternal King.

All praise to Thee, who safe has kept
And hast refreshed me while I slept
Grant, Lord, when I from death shall wake
I may of endless light partake.

Heav’n is, dear Lord, where’er Thou art,
O never then from me depart;
For to my soul ’tis hell to be
But for one moment void of Thee.

Lord, I my vows to Thee renew;
Disperse my sins as morning dew.
Guard my first springs of thought and will,
And with Thyself my spirit fill.

Direct, control, suggest, this day,
All I design, or do, or say,
That all my powers, with all their might,
In Thy sole glory may unite.

I would not wake nor rise again
And Heaven itself I would disdain,
Wert Thou not there to be enjoyed,
And I in hymns to be employed.

Praise God, from Whom all blessings flow;
Praise Him, all creatures here below;
Praise Him above, ye heavenly host;
Praise Father, Son, and Holy Ghost.

 

 

 

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